Stuff I'm thinking about

I haven't posted my own thoughts on things in awhile. A lot of what I do is report TV news and happenings, link to other blogs...but of course, what's a blog's worth if I don't blather on a bit myself? I might as well just have a news aggregator up and running.

So, the TV landscape is a bit of a mess, not that it's a big surprise. We all expected some turmoil coming out of the strike, but current events show there is a great deal of uncertainty out there, both for the networks and the writers.

Let's look at some of the recent events. NBC announces a "52-week" season. First, someone should tell Zucker that sounds silly to anyone not in television (and some of us who are in TV). There are no weeks were there's no TV. TV is already 52 weeks, and I get that he's trying to differentiate between fall season premieres and premieres that can occur all year round. But think about it. When was the last time you saw a network show premiere outside of fall? How about ALL THE TIME. So, this big, daring announcement really amounts to NBC saying "We're tired of pouring money into cool pilots that turn into crappy shows. Now we're just gonna skip the cool pilot step and just make crappy shows." At least, that's what came through on my Zucker-Interpreter Relay (patent pending).

Quarterlife bombed on NBC, big time. Worst ratings in the 10 PM time slot in 17 years. Quite an achievement. Here's the thing. NBC schedules the show for 10 o'clock. It's called *quarterlife*, meaning, 25 year olds. Who is your target audience for this show? I'm telling you, anyone over age 30 -- not interested. The people who are really going to be into this show are young, hence, popularity on the internets. And it's on late. On NBC. Which most young hipsters ARE NOT WATCHING. To me, this boils down to programming error. NBC misread the audience for the show, and didn't give it the timeslot it needed to build an audience. Well, that and I think the show is boring and inconsequential. And I liked "My So-Called Life" and "Once and Again". Bravo will now air this series, but there was a reason ABC didn't pick this up as a pilot ages ago. It sucked.

The new ABC/NBC wrestling match over "Scrubs". Funny how NBC is the focus of the first three items. Pattern, mayhaps? ABC is the instigator on this one. This is personal for Steve McPherson. He developed Scrubs at ABC Studios, loves it to death. He wanted it last season, but couldn't get it. When NBC didn't order the 6 episodes that were left for this season, opting to keep the series to 12, McPherson saw an opportunity. Of course, I think both networks are idiots on this score. Look, I know the show has a lot of fans still, but it's a show no one cares about anymore. ABC picking it up would just be another (very costly) mistake for the network. NBC keeping it just to spite ABC would be ridiculous, liking poking oneself in the eyeball hoping that people won't see *you* as a result. The show should get one or two episodes, promote the heck out of the end of the show (or better, just make it an hour-long finale), book it for end of sweeps and send the show off into the sunset. Instead, the show will probably get renewed one more time, and it will die a slow, painful death with minuscule ratings. I weep for Zach Braff.

Showrunner roulette. Lots of changes everywhere! The Dexter showrunner moves to Dirty Sexy Money! The creators/showrunners for Women's Murder Club -- fired! (Fear not, they'll be writing for Whedon on "Dollhouse"). Moonlight's showrunner -- gone! And worse, Joel Silver will oversee the last three episodes (what the heck does Joel Silver really know about running a tv show??) I don't know if all of these changes were needed or not. Some of them are probably good changes, others...I don't know -- I can't imagine it's spite on the part of the studios/networks. Sure the showrunners stood in solidarity with their writing staffs, but even though they shirked their non-writing duties to walk the line, it seems unlikely that a grudge would be held against them for that. But then, I'm not a studio/network person. I only have a Zucker Intepreter Relay (patent pending), not a Studio/Network Minion Mind Reading Device (blueprints available).

What to make of all this? I wish I knew. I'm personally waiting on the fence -- I reported (finally) that I have a pilot optioned. Now I'm waiting to see when my producer people will enter the fray with said pilot. Things are a bit jumbled at the moment. No one knows when "pilot season" will start again, or if it really will be a "52-week" season (thanks Zucker!)

Here's what I do know. TV will continue on. The networks may not be able to pull 15 to 20 shares on its shows these days (unless you are Idol or Deal or No Deal) but that doesn't mean they won't continue to try to find shows that can pull that kind of audience. So, we, as aspiring writers, soldier on, work on our specs, our pilots, our dreams.

I really loathe the word "Change" right now (overused by just about everyone). Things are constantly changing -- it's a matter of when you sit up and take notice that things aren't the same. Changes are happening in this industry. It's important to be on top of them, embrace them, meet them head on. Don't be afraid to try different things. Clearly the marketplace is wide open.

Let's see what we can do with it.

'Scrubs' moving to ABC

Wow. Big story. ABC needs comedies BADLY!

Linkn: Scrubs moving to ABC

UPDATE: Apparently, NBC isn't too happy about this possible move and are fighting back. I love a good tussle! And as Shawn says, weird that it is over a show on its last legs...

New Media words of Wisdom

Courtesy of half of "Ask a Ninja".

Link: Memo To ABC, embrace your audience « Kent’s Official Blog

Quick news roundup

NBC's "Las Vegas" sevens out (that's canceled for those of you not hip to the gamble-speak).

CBS renews "The Ghost Whisperer", but "Moonlight" still waits for news and a new showrunner!

"Friday Night Lights" -- not quite dead yet.

USA renews "Monk".

TBS likes "Frank TV".

NBC has ordered 6 more episodes of "Lipstick Jungle".

ABC has given "Women's Murder Club" 3 more episodes.

Fox overhauls schedule for spring

Wow, some major changes ahead to the Fox schedule. Program your DVRs accordingly. Per The Futon Critic:

Mondays (March 10-April 7)
8:00/7:00c - "Canterbury's Law" (New Series)
9:00/8:00c - "New Amsterdam" (New Series)

Monday, April 14
8:00/7:00c - "Bones" (New Episode)
9:00/8:00c - "New Amsterdam" (Season Finale)

Monday, April 21
8:00/7:00c - "Bones" (New Episode)
9:00/8:00c - "House" (Repeat)

Mondays (April 28-May 19)
8:00/7:00c - "Bones" (New Episodes)
9:00/8:00c - "House" (New Episodes)

Wednesdays (March 12-April 2)
8:00/7:00c - "The Moment of Truth"
9:00/8:00c - "American Idol"

Wednesday, April 9
8:00/7:00c - "Idol Gives Back" (Two-Hour Special)

Wednesdays (April 16-May 14)
8:00/7:00c - "'Til Death" (New Episodes)
8:30/7:30c - "Back to You" (New Episodes)
9:00/8:00c - "American Idol"

Wednesday, May 21
8:00/7:00c - "American Idol" (Two-Hour Season Finale)

Thursday, May 8
8:00/7:00c - "Are You Smarter Than a 5th Grader?" (New Episode)
9:00/8:00c - "Don't Forget the Lyrics" (Season Finale)

Thursday, May 15
8:00/7:00c - "Are You Smarter Than a 5th Grader?" (Two-Hour Season Finale)

Watch List will be updated with the premiere dates.

NBC unveils year-round slate

Hugely important article in Variety today. NBC will announce a 52-week schedule in April:

For three days in April, Ben Silverman and Marc Graboff, co-chairmen of NBC Entertainment and Universal Media Studios, will meet in New York with ad-agency executives and media buyers to go over the network's 2008-09 programming strategy.

Following those sessions, NBC U's sales execs will engineer a series of client meetings in N.Y., Los Angeles and Chicago to talk not only about the year-round programming on NBC but ad buys across all of NBC U's networks, including USA, Sci Fi Channel, Bravo, MSNBC, CNBC and Telemundo.

These give-and-takes will build to a May 12 "spotlight event" that "will showcase the full scale of the NBC U offerings in a unique, multi-media, interactive environment."

HUGE. NEWS.

Weekly Geekerati show reminder...this week in particular

Tonight at 7 PM Pacific / 10 PM Eastern our special guest is the Kung Fu Monkey himself, John Rogers. As mentioned in my previous post, John has a show in production for TNT called LEVERAGE, produced be Dean Devlin. We'll be talking to him tonight, one of his first conversations ANYWHERE about this new show.

We'll also talk about his other projects, Blue Beetle, hey, maybe even "Transformers"!

Join us tonight.

TNT, Showtime pick up pilots

TNT announced today that it has picked up "Leverage" from Dean Devlin and John Rogers to air later this year.

Showtime has announced it has greenlit "Possible Side Effects", a pilot Tim Robbins will direct. They have also picked up "The United States of Tara", written by current writer darling Diablo Cody and produced by Steven Spielberg.

Showtime renewed Brotherhood for another season...and this info from Hollywood Reporter:

Showtime has also lined up its spring and summer schedule, setting palace drama "The Tudors" as a lead-in for new variety show "Tracey Ullman's State of the Union" on March 30 and packaging "Weeds' and recent British acquisition "Secret Diary of a Call Girl" for June 16.

But returning David Duchovny romantic dramedy "Californication" likely won't debut until after the Summer Olympics in August, execs said Wednesday, essentially making the show a fall series. The series debuted last year in mid-August.

More news as it happens...which appears to be a lot this week! (Wonder why...)

More post-strike scuttlebutt

2/13 Lots of Updates!

Here are the tidbits being posted around the web on various sites and in notes I've gotten from people 'in the know':

CBS:

* UPDATE: Shark is going back into production for four episodes, return date TBD. "The Unit" is still on hiatus.

* Cane is also a bubble show -- no requests for episodes from them, but pickup is still a possibility.

* The New Adventures of Old Christine and Rules of Engagement - also unknown if they will be picked up for next season -- bubble. UPDATE: Rules of Engagement will produce 6 more episodes for this season, return date is April 14.

* Moonlight might get 4 new episodes this spring,and will return to the schedule on April 11.

* Swingtown will go back into production. Air date is TBD.

* How I Met Your Mother, The Big Bang Theory and Two and a Half Men each get 9 new episodes. All will return on March 17.

Other CBS shows, episodes ordered and return to air date:

"CSI: Miami," March 24, 8 episodes

"Cold Case," March 30, 5 episodes

"Criminal Minds," April 2, 7 episodes

"CSI: NY," April 2, 7 episodes

"CSI," April 3, 6 episodes

"Without a Trace," April 3, 6 episodes

"Ghost Whisperer," April 4, 6 episodes

"Numb3rs," April 4, 6 episodes

"NCIS," April 8, 7 episodes


Fox:

* Word is that Prison Break won't shoot more episodes.

* Also rumor that 24 might get pushed to January 2009!! UPDATE: Still hearing this.

* House will push out 5 or 6 more episodes, and Fox isn't afraid to extend their spring season a bit to accommodate past May sweeps.

* Back to You and 'Til Death are expected to go back into production for a few more episodes this season.

NBC:

* Chuck and Heroes will likely not produce any more episodes this season, but will return in the fall. No word on whether additional episodes will be tacked on to next season (this may happen to some shows being cut short this season).

* The Office and 30 Rock are expected to resume production.

ABC:

* Lost will probably only eke out another 6 episodes or so. There were supposed to be 16 for the shortened seasons, so a few episodes may get added to the next two seasons, making them 17 or 18 episode seasons to accommodate the story-telling (still speculative)

* Boston Legal is expected to resume production, and may be quickest back to air with new episodes, as apparently David Kelley works really fast cranking out scripts (hat tip: Hollywood Reporter for several of these items)

* Women's Murder Club is really on the bubble. Three executive producers were let go from the show yesterday. Big Shots looks really dead.

The CW:

* Gossip Girl has already been picked up for next season. No word yet on production schedule (though probably won't have new episodes until fall).

* Girlfriends was aired its last original episode, but no more are expected to be produced since this was the show's final season. There is talk of a final episode -- possibly a clip show -- to give the show a proper send off (will add this cancellation to watch list).

* Aliens in America had already shot 18 episodes, likely won't get more produced for spring. Everybody Hates Chris produced their 22-episode order, and both series still have fresh episodes to be aired. The Game is expected to go back into production for a few episodes.

* Smallville, Supernatural, Reaper and One Tree Hill are expected to go back into production. No word on how many episodes will be produced.

Will update rumors/confirm news as it happens.

ABC starts to pick up some stuff

Woohoo! Real newsy news to talk about! So, ABC came out of the gate letting us all in on which shows they'd be renewing for next season (read: pushing off too much production until fall)

Hollywood Reporter published the following:

The list include juggernauts "Desperate Housewives," "Grey's Anatomy" and "Lost" (which is in the first year of a three-season pickup), sophomore series "Brothers & Sisters" and "Ugly Betty" as well as freshmen "Private Practice" "Pushing Daisies," "Samantha Who?" and "Dirty Sexy Money."

The returning series all have been picked up for a full season.

Meanwhile, the four first-year shows, which all had already been picked up for the back nine, have received 13-episode orders. It is expected that, with the possible exception of "Samantha Who?," they won't air any new episodes this season, with extra produced segments added to their run in the fall.

So, what's missing? "Boston Legal", "Men in Trees", "October Road", "Carpoolers", "Cavemen" and "According to Jim", for starters. "Big Shots" looks to be dead at this point. I think it is still too soon to write off "Women's Murder Club" or "Cashmere Mafia".

I can update the watch list again! What a great day! :-D

Josh Friedman is back

Rather like a sighting of Haley's Comet every 72 years, Josh Friedman has posted again. Some good stuff, too.

Wipeout

It's good to know people are still reading the blog...or at least stopping by to annoy me to post something. Trouble is, I'm completely wiped out.

The strike. My new job. Britney Spears. Super Tuesday. All just drops in the bucket, but all taken collectively with everything else in the world, and I am just overloaded.

Call in 'Online O.D.'

I'm seriously spent, mentally. I wasn't sure why until I had to spend about 20 hours fixing the at home DSL after upgrading to high speed (thanks Earthlink!) While I was stressed to the gills trying to fix my onramp to the info super-highway (thanks Al Gore!) I was actually relieved to be out of touch for a whole 24 hours. Sure, there was anxiety...that happens to all addicts in withdrawl, but once the shakes diminished, I felt euphoric. It was like the shackles around my wrists had disappeared, and I was free.

Of course, once I was able to connect to the rest of the world again, my addiction came back full on. But this time, I have the knowledge of my addiction...and I am left empty with each email, web page, or blog post I read or write.

So, just to sate your hunger for 'stuff from me', here's my quick hits:

* THE STRIKE - Please, for the love of God, let this be the beginning of the end.

* LOST - Good buildup. Interesting stuff going on, as usual. At least I feel like the writers have the map in front of them and their road is marked.

* ELI STONE - Not as bad as I thought it would be. Actually enjoyed it near the end. Will watch again this week.

* SUPER BOWL - Meh. Didn't care for either team, but I found myself rooting for the Pats as I found more and more people were rooting for the Giants, and not because they *like* the Giants...more because they didn't want the Patriots to get their perfect season. I am actually ruminating on this phenomenon a lot. Maybe I'll even post about it at some point...

* HOUSE - Loved it. Still such an awesome show. Really doesn't get the kudos it deserves...

* BRITNEY SPEARS - Girl, there are people in this world who really do care what happens to you. Listen to them. Get some help. I really don't want to see you be a trainwreck anymore. The tabloids love it, but screw them. Get better.

* SUPER TUESDAY - Okay! Fine! Everyone (except Hollywood Park) wants me to vote for those Propositions to get more money from the Indian Casinos and grant them more slots. Just go away after tomorrow, please!!

* EARTHLINK - I wish I knew how to quit you.

* MY NEW JOB - Busy. Like, they are making me earn my ridiculous salary busy. Bastards.

I promise to come back and say something else this week. Maybe more than a couple of words.

Back in town, blogging will resume

Sorry for the radio silence...was on business travel last week.

But now I'm back. Back in Black.

Cloverfield is go!

Woot! Time for giant monster stomping things tonight!

Now that the Cloverfield ARG is wrapping up, I'm starting to follow Find815.com. Yay for LOST!

My review for Cloverfield will be cross-posted at Sistercritics tonight.

Uwe Boll - Violation of the Geneva Convention?

I posted my quasi-film review of the latest horror from Uwe Boll (and no, I don't mean horror film, I mean general horror) at the blog I have with my sister Sistercritics. Her reviews are way better than mine, and yet somehow I'm the writer and she's the producer person.

Go figure.

As for you, Uwe Boll...I won't be repeating this little mistake again.

Updating the Watch List: An exercise in futility

Yeah, I know -- it's horribly out of date. Do you know how difficult it is to hit a moving target?

Shows I think have hit hiatus, actually still have episodes in the can.

Shows I think are airing soon are getting pushed back on the schedule.

And don't even talk to me about what the heck happens after March...

I'll do some real work on it this weekend. Seriously. Because I lurves you.

The fuzzy math of theater owners

So, movie theater owners were surveyed as to which actors brought in the most dough in 2007.

Johnny Depp was cited as the #1 box office draw. While, I concede that at first glance this seems fairly obvious, the theater owners are actually morons if they think Depp's films brought in the most money this year.

That honor goes to Shia LaBeouf.

Depp's two films, "Pirates of the Caribbean: At World's End" and "Sweeney Todd: The Demon Barber of Fleet Street" (nice long titles, those) have pulled in a collective $340 million.

LaBeouf's films, "Transformers", "Disturbia" and "Surf's Up" pulled in $457 million this year.

Who else made the survey list? Let's look at their box office compared to other names...

Will Smith placed second on the list. His film, "I Am Legend" generated $210 million this year.

George Clooney? $156 million ("Oceans 13" and "Michael Clayton")

Matt Damon - $344 million ("The Bourne Ultimatum" and "Oceans 13")

Denzel Washington - $146 million ("American Gangster" and "The Great Debaters")

Russell Crowe - $182 million ("American Gangster" and "3:10 to Yuma")

Tom Cruise - $15 million ("Lions for Lambs")

Nicolas Cage - $280 million ("Ghost Rider", "Next" and "National Treasure: Book of Secrets")

Will Ferrell - $118 million ("Blades of Glory")

Tom Hanks - $43 million ("Charlie Wilson's War")

Granted, I'm sure that when these theater owners are being surveyed, they don't just think about the previous year, but collective years. Who else in 2007 *really* drove box office? It's hard to say if people show up for the movie or the actor in some cases (I seriously doubt most people thought, "Hmm, I don't know if I want to see that 'Transformers' movie...wait, Shia LeBeouf is in it? Oh, I'm so there!"), but just for the exercise, who else "generated" the most income in 2007?

Eddie Murphy - $418 million ("Shrek 3" and "Norbit")
Seth Rogen - $270 million ("Knocked Up" and "Superbad")
Tobey Maguire - $336 million ("Spiderman 3")
John Travolta - $287 million ("Wild Hogs" and "Hairspray")

And since the theater owners seem to forget women are even in films, I'll just point out a few totals for the leading ladies this year:

Cameron Diaz - $322 million ("Shrek")
Keira Knightley - $312 million ("Pirates" and "Atonement")
Kirsten Dunst - $336 million ("Spiderman 3")

Other notes: Helena Bonham Carter was in 'Harry Potter 5' and 'Sweeney Todd'. Timothy Spall trumps her with appearances in both films AND 'Enchanted'. The costar who wears the box office crown: Jon Voight. If we wanted to be really fair, Jon Voight even beats Shia with his appearances in "Transformers", "National Treasure 2", "September Dawn" AND the BRATZ film for a total of $477 million.

Geekerati Radio tonight

No, it isn't Monday, but Geekerati is on tonight, 7 PM PST/10 PM EST. Here's tonight's show description:

Gareth-Michael Skarka, of Adamant Entertainment, joins the geeks to discuss e-publishing in the modern RPG marketplace. Skarka has made a name for himself as the publisher of the acclaimed THRILLING TALES pulp d20 Modern supplements.

Come listen to us live or subscribe at iTunes to the podcast which goes up after each live show wraps.



If you missed our best show of 2007, our interview with Tim Minear, you can catch that here:

Optioned

So, at long last I got a greenlight from my sister to announce the big secret we've been harboring for months.

As of the end of October, our tv series "The Protector" is optioned by Tig Productions, better known as Kevin Costner's production company.

It is an 18 month option, which we agreed was warranted since the strike was breathing down our collective necks at the time. We are being packaged by a major agency in town...and that's about all I can say.

Of course, the option was signed two days before the strike. This of course means that all of the work from June to October came to a screeching halt.

It started in June when I finished writing the pilot. My sister Julie is credited as co-creator on the series with me. We sent the script out to a couple of people who had shown interest at management companies. As a strange coincidence, she happened to meet up with the producers of our project that night and casually mentioned that we had sent out the script in an effort to get me representation. They expressed interest in us coming in to pitch.

We didn't think they were serious. They were.

So, we pitched. Left them the bible and the script. We had prepared our seven minute pitch, but they wanted a casual meeting and we ended up chatting about the show for an hour. The told us they were very interested in working with us, and on the whole I felt lucky to just have an opportunity to pitch a project as *practice*.

A week later they wanted us to go to Big Agency #1 to pitch our project to the head of the TV Lit Department. The producers had a couple of other projects they were working on with this agency and thought it would be good to have us in to talk specifically about ours.

We freaked out a little bit, yes.

Then in August we met with Kevin and got his notes. Yes, that was weird and I'll supply details at some date in the future.

Finally, we pitched to a packaging agent at BIG AGENCY #2 which Tig was talking to. And by October we were optioned.

And now we wait. But this is what I've been alternately stressing and giddy about for the last half of the year.

Now I hope that 2008 will be THE YEAR for us to really make some headway.

My favorite TV of the year

Trying to decide which hours of TV to love is like picking your favorite child. Still, decisions have to be made. Here are the episodes (and their WRITERS, which I promise to add later once I can look them all up) that really hit it out of the park for me this year. (In no particular order -- I can pick the children, I don't have to rank them)

LOST "Through the Looking Glass" This one is still on the DVR, but now that I've got the 3rd season on DVD I can watch this one over and over again in anticipation of what is to come in one month's time. Truly awesome TV fun.

HOUSE "Airborne" House may have seemed stale by the end of Season 3 (and it has had some juice pumped back in Season 4) but this episode stands out to me for a) taking House out of his element and b) giving every major cast member some meaty stuff to do. Putting House and Cuddy on an airplane to do a differential was just icing on the cake.

BATTLESTAR GALACTICA "Crossroads, pt 2" Since "Exodus" technically aired in 2006, I'll pick the 3rd season finale for my fave of 2007. While I found "Razor" fascinating it was the completely unexpected revelations about Tigh, Anders, Tyrol and Tory and the end of Baltar's trial that really packed the punch for the series. We await the Season 4 open with baited breath...

CHUCK "Chuck vs. the Truth" Not just for really moving the story forward be revealing what had been up to that point character 'secrets' but also for the fast paced and breezy interplay of the characters, the show really hit its stride, showing what awesome TV it could be. Best line goes to Zac Levi: "Casey, your jaw was chiseled by Michelangelo himself." I know, not as great taken out of context, but man it floored me. Especially Adam Baldwin's reaction. Classic. Oh, and did I mention that our dear Marshall J. Flinkman (aka Kevin Weisman) is in it?

THE SOPRANOS "Kennedy and Heidi" Okay, I hate that the Sopranos wins like every award there is for this season, but dang, this was a pretty bitchin' episode. I mean, Christifuh dies at the hands of Tony! And Pauly is out of control funny.

FRIDAY NIGHT LIGHTS (tie) "Pilot" and "State" - the bookends to an example of a perfect season of TV. Even if it hadn't had a second season granted, this would go down in my book as one of the most overall satisfying shows of the year.

VERONICA MARS "The Unaired Season 4 Preview" This look at what a 4th season of VM would have been like is something that pains me. It was sooo good, so fresh and so what I wanted. I curse the CW for their poor decision making.

LIFE "Dig a Hole" and "Fill it Up" Sure, continue to ignore this show, but you do so at your peril. This two-parter was great TV, the revelation of who committed the murder that Charlie Cruse had been wrongfully convicted and sent to prison for. Even better, there's still the mystery as to who orchestrated the whole thing (and why). I hope I get to find out...

FLIGHT OF THE CONCHORDS "Bowie" For making me laugh for almost 30 minutes straight. Actually, I could say that about almost all of the 'Conchords' episodes...

STUDIO 60 ON THE SUNSET STRIP "K&R" pts 1-3 and "What Kind of Day Has it Been" I know, crazy to have this on the list, but when I watched the last four episodes in one sitting, I was floored at how good they were. It was as if knowing that their doom was imminent Sorkin, Schlamme and company pulled out all the stops and put on a good show. Really reminded me of the first couple of years of 'The West Wing' that just pushed me closer to becoming a writer. I was humbled.

Okay, I will place one hour of TV above all the others (and yes, I know I've left off a lot of awesomely wonderful TV from the list...sue me).

DOCTOR WHO "Blink" A singular achievement. Steven Moffat has my undying love and devotion after I watched this. Terrifying and creepy (rare to honestly ascribe those terms to much TV today) I could not help but sit back on my couch and say "wow" once it was over. Also the ONLY TV episode this year I was compelled to watch again immediately upon viewing it the first time. If you haven't seen this, you haven't really watched TV as it should be.

Next post I'll detail some of the WORST Hours of TV of 2007 and some of my honorable mentions (I.E. stuff I forgot while I was writing this post)